当阅读完一本名著后，想必你有不少可以分享的东西，需要好好地就所收获的东西写一篇

the novel opens with the famous line, "it is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.". and ends with two marriages: jane and bingley's, as well as darcy and elizabeth's. both couples are assumed to live happily ever after.

elizabeth (lizzy) bennet is the core of the family. elizabeth is the second of mr. and mrs. bennet's five daughters, and is an intelligent, bold, attractive twenty-year-old when the story begins. in addition to being her father's favourite, elizabeth is characterized as a sensible, yet stubborn, woman. misled by his cold outward behaviour, elizabeth originally holds mr. darcy in contempt. however, she finds that mr. darcy improves on acquaintance, more so than she would expect.

fitzwilliam darcy (commonly known as mr. darcy) is the central male character and elizabeth's second love interest in the novel. he is an intelligent, wealthy, extremely handsome and reserved 28-year-old man, who often appears haughty or proud to strangers but possesses an honest and kind nature underneath. initially, he considers elizabeth his social inferior, unworthy of his attention, but he finds that, despite his inclinations, he cannot deny his feelings for elizabeth. his initial proposal of marriage is rejected because of his pride and elizabeth's prejudice against him; however, at the end of the novel, after their relationship has blossomed, he is happily engaged to a loving elizabeth.

role of women in the 18th century

in late-18th-century england, women were relegated to secondary roles in society with respect to property and social responsibilities. for example, women were not permitted to visit new arrivals to the neighbourhood (such as mr. bingley in pride and prejudice) until the male head of their household had first done so. women were under enormous pressure to marry for the purpose of securing their financial futures and making valuable social connections for their families. therefore, marriage, though romanticised, was in many ways a financial transaction and social alliance rather than a matter of love. although jane austen did not condone loveless marriages (she stayed single all her life), she did approve of matches having equality in various respects, including wealth, social status, love and character. in pride and prejudice, wealth, social status, chastity (and the perception of chastity) and physical attractiveness are depicted as factors affecting a woman's chances for a good m

This is a story about a special and unreserved woman who has been exposed to a hostile environment but continuously and fearlessly struggling for her ideal life. The story can be interpreted as a symbol of the independent spirit.

It seems to me that many readers’ English reading experience starts with Jane Eyer. I am of no exception. As we refer to the movie Jane Eyer， it is not surprising to find some differences because of its being filmized and retold in a new way, but the spirit of the novel remains----to be an independent person, both physically and mentally.

Jane Eyer was a born resister, whose parents went off when she was very young, and her aunt，the only relative she had，treated her as badly as a ragtag. Since Jane’s education in Lowwood Orphanage began, she didn’t get what she had been expectingsimply being regarded as a common person, just the same as any other girl around. The suffers from being humiliated and devastated teach Jane to be persevering and prize dignity over anything else.As a reward of revolting the ruthless oppression, Jane got a chance to be a tutor in Thornfield Garden. There she made the acquaintance of lovely Adele and that garden’s owner, Rochester, a man with warm heart despite a cold face outside. Jane expected to change the life from then on, but fate had decided otherwise: After Jane and Rochester fell in love with each other and got down to get marry, she unfortunately came to know in fact Rochester had got a legal wife, who seemed to be the shadow following Rochester and led to his moodiness all the time ----Rochester was also a despairing person in need of salvation. Jane did want to give him a hand, however, she made up her mind to leave, because she didn’t want to betray her own principles, because she was Jane Eyer. The film has finally got a symbolist end: Jane inherited a large number of legacies and finally returned. After finding Rochester’s misfortune brought by his original mad wife, Jane chose to stay with him forever.

I don’t know what others feel, but frankly speaking, I would rather regard the section that Jane began her teaching job in Thornfield as the film’s end----especially when I heard Jane’s words Never in my life have I been awaken so happily. For one thing, this ideal and brand-new beginning of life was what Jane had been imagining for long as a suffering person; for another, this should be what the audiences with my views hoped her to get. But the professional judgment of producing films reminded me to wait for a totally different result: There must be something wrong coming with the excellence----perhaps not only should another section be added to enrich the story, but also we may see from the next transition of Jane’s life that Life is like a box of chocolates, you never know what you would get. （By Forrest Gump’s mother, in the film Forrest Gump）

What’s more,this film didn’t end when Jane left Thornfield. For Jane Eyer herself, there should always be somewhere to realize her great ideal of being independent considering her fortitude, but for Rochester, how he can get salvation? The film gives the answer tentatively: Jane eventually got back to Rochester. In fact, when Jane met Rochester for the first time, she scared his horse and made his heel strained, to a certain extent, which meant Rochester would get retrieval because of Jane. We can consider Rochester’s experiences as that of religion meaning.The fire by his frantic wife was the punishment for the cynicism early in his life. After it, Rochester got the mercy of the God and the love of the woman whom he loved. Here we can say: human nature and divinity get united perfectly in order to let such a story accord with the requirements of both two sides. The value of this film may be due to its efforts to explore a new way for the development of humanism under the faith of religion.

Life is ceaselessly changing, but our living principles remain. Firmly persisting for the rights of being independent gives us enough confidence and courage, which is like the beacon over the capriccioso sea of life. In the world of the film, we have found the stories of ourselves, which makes us so concerned about the fate of the dramatis personae.

In this era of rapid social and technological change leading to increasing life complexity and psychological displacement, both physical and mental effects on us call for a balance. We are likely to find ourselves bogged down in the Sargasso Sea of information overload and living unconsciousness. It’s our spirit that makes the life meaningful.

Heart is the engine of body, brain is the resource of thought, and great films are the mirrors of life. Indubitably, Jane Eyer is one of them.

You flee in a sea of books between the famous article 12 often have access to my appreciation of masterpiece, but when I touch to which this book, and I'm fascinated by it, for it moved, it looked 10 million times, bear in mind in the hearts. So a read a spell, it will come to mind, a long time can not be dispersed ... ...

Pick up the wand, read out the familiar mantra, it will appear, with me in:

Mingjiao Ha Lipot a child, an unusual child, a birth and they have a fight with the villain Lord Voldemort symbol of a lightning-shaped scar. It was a death curse remainder marks, because her mother's sacrifice of his death became that Road scar reduction. He was uncle had adopted a very wronged childhood, the table has always relied on the Gotha power heads big bully him, and if that was for 11 years. In his 11 birthday, took place an extraordinary thing, changed his life. A very soft surface, the real terror guards Hager sent a letter to his magic school admission letters, to prove that he is a wizard born from a fate.

He was pleased to have joined the school and knew a right angle Lane, and a series of things in the world of the shaman. Go to school also recognized the two friends, one is silly silly inside the brain Ron, there is a similar to Harry when the child's mother. One is the high academic achievers of the Hermione, there are two ordinary Muggle parents. (Non-magic people) that they work together to save the Philosopher's Stone, and Voldemort fight tenaciously, finally destroyed Voldemort's dream, won the respect of everyone.

I am very envious of him, and be able to receive notice, but this book I learned a lot, friendship was inadvertently built up, and also understand it's great, the so-called Many hands make light,

Only together can overcome any difficulty. Also admired Harry, Voldemort in front in the face of terrible fear of not the slightest, even if the parents are not Shence, but he is still alive is very valuable for parents in heaven can be relieved. This book is written by British writer JK Rowling, I am very grateful to her, and she has shaped our readers have an extraordinary ordinary lives closer to our live image of a flesh and blood, let us in the traveling magic world the process, enjoy life, Subway, by Harry come round our readers in a dream ... ...

《哈利波特》英文读后感800字

Setting:Hogwarts School of Witchcraft and Wizardry is where Harry Potter and his friends learned about magic.

Main Characters:Harry Potter is an 11 year old boy who’s parents died， and he goes to Hogwarts.

Ron Weasley is an 11 year old boy who has 5 brothers and 1 sister， and he goes to Hogwarts.

Hermione is a 10 year old girl who likes learn a lots ， and she goes to Hogwarts.

Quirrell is Hogwarts’s teacher，Voldemort’s helper.

Voldemort is an evil guy of the magic world.

Climax:Harry never thought Quirrell was helping Voldemort. Quirrel cought Harry and let him to get the Philospher’s stone， but when Harry got it， he didn’t give it to Quirrell， and Voldemort came out，from the back of Quirrell’s head!And Voldemort orderd Quirrell to catch Harry and get the stone， but when Quirrell touched Harry， his body dissolved，and then he died.

Conclusion:Harry defeated Voldemort， and the year has finished，it’s time for the school cup，Gryffindor was in last ， but 4 more things let them win!

First is for Ron， because he play the best game of chess Hogwarts has seen in many years，he got 50 points.Second is for Her mione，for the use of cool logic in the face fire，she got 50 points.Third is for Harry， who defeated Voldemort， get the stone， he got 60 points for that!Last， for Neville，,he got 10 points for his moxie，and Gryffindor won!

《哈利波特》英文读后感800字

After ten years, J.K.R did not let us down. The darkest, fastest-paced, most desperate and dynamic magical adventure of the 7-part series carries the reader along faster than a speeding broomstick chased by Dementors. Throughout, doubts must be battled, fears faced, loyalties tested, and grief postponed whilst well-loved characters fall, chapter by chapter, yet there is no time to mourn. Rowling as a narrator has grown up and so has Harry; this no longer feels like a children's story but an epic myth, the echo and inheritor of a centuries-ancient tale told and sung around firesides, full of sound and fury, signifying more than we like to let on - the tug of old archetypes we already know, old tales which still resonate heart-deep, with anyone who has ever wondered who wins, when you pit love against hate, and hope against nihilism.

I am sure there will be sneerers and jeerers at the power of the commercial spell cast worldwide and the ringing tills at midnight, the over-familiarity of the children's-story syntax; they are missing the point. The story of all humankind is the story of a story-telling animal and it is only this which distinguishes us from the other mammals, when it comes to the end. We will always be enchanted and enslaved by the telling and re-telling of the same story we all, always want to hear, again and again. The ancient magic of light vs. darkness, heroism and struggle, the bloody clash of battles, wrench of secrets painfully revealed; the warrior tested, the torturous night of the soul, the slow learning of the terrible, yet wonderful fact that no-one is alone, and that in the end, help comes, from friends, from strangers, from unexpected sources; from within and without, because of faith, because of courage, because of love. Of how our own humanity saves us, how our weakness is our strength.

So this latest incarnation of the old, old tale of the resurrected lost one, the lonely one who is loved, the hero who doubts, the child who is adult, the griever restored, the victim who triumphs, the Boy Who Lived - is deeply satisfying in the way everyone recognises. Anyone who has fallen asleep at the end of a story, with the author's pact satisfied - I will let you frighten, anger, worry and scare me, if you make it all right at the end. If I learn something, and if they live, if not happy ever after, but if they live - will be replete at the ending of this long saga.

I prefer to think its enormous sucess is not just because of cyncial hyper-successful marketing. I prefer to think that it is because we all love a story, told well, before we lay down to sleep at the end of a long day.